![]() Make sure you Alt-Click this selection so that it says Accept Shadows: Only. You’ll see a selector that says Accept Shadows. Go to your Solid and open Material Options, which is located under the layer options. Don’t be alarmed the next step reveals all. Go to Layer > New > Light and make sure that the Cast Shadows check box is selected. ![]() Now we’ll add a light, so that we can begin creating our shadows. Align the bottoms of your text layers to your new Solid plane so that they’re on the “ground.” The next - very important - step, is to change your camera view from Active Camera to Right. This will be your plane for the shadows, sometimes called a “shadow catcher”. Make your new Solid a 3D layer and rotate and place it within the composition so it fits the perspective of the clip. Go to Layer > New > Solid and create a new white (#ffffff) Solid. Since the footage file will not be a 3D layer, we need a plane for the shadows to project onto. I also parented the “AP” to the “G” with the “Parenting” Piq Whip, so that I can animate the whole word consistently. Rotate your layers so that they fit with the perspective of the scene.įor this scene, we know that the letter “G” gets shattered in the end, so we’ll want to keep that as a separate layer. Start adding your text, making it into 3D layers by checking the “3D” box on each text layer. To create the final clip in this tutorial, I used New York City Subway Train Arriving by Shutterstock contributor Duncan Frazier: Go to File > Import > File and input your footage of choice. As with our previous video tutorials, all of the tools and effects used here come standard with After Effects. We’ll also touch on another powerful effect called Shatter. You can also remove a drop shadow from an object by clicking the Clear drop shadow button on the property bar.Have you ever wanted to put text into your video and make it look like it really lives in the scene? No, this isn’t another 3D Camera Tracking Tutorial - this time, you’ll learn how to add shadows to your text, making it appear as if it’s really in the shot. The default merge mode Multiply produces natural-looking drop shadows. Select an object with a drop shadow, and choose a merge mode from the Transparency operation list box on the property bar. To separate a drop shadow from an objectĬlick Object Break drop shadow group apart. For more information, see To copy effects from one object to another. You can also use the Attributes eyedropper tool to copy a drop shadow. Select the object to which you want to copy or clone a drop shadow.Ĭlick Effects and click one of the following: Specify any attributes on the property bar.ĭrop shadows cannot be added to linked groups, such as blended objects, contoured objects, beveled objects, extruded objects, objects created with the Artistic media tool, or other drop shadows.Ĭlick a dark color on the onscreen color palette.Ĭlick Object Order Behind, and click the original to position the duplicate behind it. ĭrag from the center or side of the object until the drop shadow is the size you want. ![]() ![]() In the toolbox, click the Drop shadow tool. For more information about merge modes, see Applying merge modes. For information about editing a transparency, see Changing the transparency of objects.Īs with transparencies, you can apply a merge mode to a drop shadow to control how the color of the drop shadow blends with the color of the object underneath. For example, you can edit the drop shadow as you would edit a transparency. With cloning, the master object’s drop shadow attributes are automatically applied to its clone.īy separating a drop shadow from its object, you gain more control over the drop shadow itself. When you copy a drop shadow, the original and copy have no connection and can be edited independently. After you create a drop shadow, you can copy it or clone it to a selected object. ![]()
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